This artwork includes a series of pictures of a woman using her own hands as tools to measure her body contour. + Enlarge
MEASURE 01 2020 Documented Performance
This artwork includes a series of pictures of a woman using her own hands as tools to measure her body contour. + Enlarge
MEASURE 02 2020 Documented Performance
This artwork includes a series of pictures of a woman using her own hands as tools to measure her body contour. + Enlarge
MEASURE 03 2020 Documented Performance

MEASURE website 2020
This work includes two standing pieces on the ground that are made of steel and liquid plastic. They are slightly tilted with spiky structures on the top. Inside of the structure, each has a casted human head that is made of plastic. + Enlarge
GAZE 01 2021 Steel, liquid plastic 13x 32x 13 inch (each)
This work includes two standing pieces on the ground that are made of steel and liquid plastic. They are slightly tilted with spiky structures on the top. Inside of the structure, each has a casted human head that is made of plastic. + Enlarge
GAZE 02 2021 Steel, liquid plastic 13x 32x 13 inch (each)
This work includes two standing pieces on the ground that are made of steel and liquid plastic. They are slightly tilted with spiky structures on the top. Inside of the structure, each has a casted human head that is made of plastic. + Enlarge
GAZE 03 2021 Steel, liquid plastic 13x 32x 13 inch (each)
This piece has three series of pictures that indicated a process of two fingers touching each other. In the first picture, there is a transparent finger that stands as a single object, meanwhile, it has a steel spike reach out of the fingertip. The second + Enlarge
TOUCH 01 2021 Steel, epoxy 2x7x5 inch (each)
This piece has three series of pictures that indicated a process of two fingers touching each other. In the first picture, there is a transparent finger that stands as a single object, meanwhile, it has a steel spike reach out of the fingertip. The second + Enlarge
TOUCH 02 2021 Steel, epoxy 2x7x5 inch (each)
This piece has three series of pictures that indicated a process of two fingers touching each other. In the first picture, there is a transparent finger that stands as a single object, meanwhile, it has a steel spike reach out of the fingertip. The second + Enlarge
TOUCH 03 2021 Steel, epoxy 2x7x5 inch (each)
Statement

My work is rooted in dialectical ancient Chinese philosophy and poetry. Themes of nostalgia, personhood, duality, and the complexities of interpersonal relationships are considered through the lens of Chinese ideology.

We live in different multiple ecosystems: whether natural, man-made, or digital. Each one has its own diagram indicating diverse shapes and patterns. My practice sits at the cross-point among these ecosystems, examining the collision of how all of these relationships manifest among ourselves and one another. Through metal, wood, printed picture, light, or a gesture, I use each material’s properties to capture the full breadth of its sensorial value.

The Pandemic introduced a lack of physical attachment between us, which compelled me to question how we as humans are different, or how we are all inter-connected to one another. I sought out the sensation of pain, as its tactility can be momentary yet constant and brings a shocking awareness of our physical existence. Pain, a peculiarity that is given by nature, makes us vulnerable but also strengthens our psychokinesis. Our body carries a beautiful mechanical process of healing, each moment of touch accumulates to build up a more dynamic and complete self. Existing can be embodied in different ways. My work speculates upon self-awareness, the balance of being controlled and controlling, and the trace we leave onto others, transforming physical existence into something that will mark our present in different forms.